photo by Arpad Kertesz, 2005
Biography
Eros Renzetti (Rome, 1965) discovered drawing early on and trained at the Istituto Statale d’Arte in Rome, where he designed jewelry. From 1979, he entered the orbit of Fabrizio Clerici, becoming his assistant, and met Leonor Fini—two decisive encounters for his idea of painting. After attending the Academy of Fine Arts (set design, 1986–90), he exhibited regularly: from a solo show at the Galleria Ca’ d’Oro to the 6th Cairo Biennale, and later a solo exhibition at JFK in New York. In the early 2000s, he developed the visionary “knights” series and published his first monograph; this was followed by projects on Cocteau and de Chirico, participation in the Italian Pavilion at the Venice Biennale (2011), and a monograph for Damiani. Between 2012 and 2016, he alternated between solo and group exhibitions (Lucha Libre, La rètina lucente), also working on masks and costumes. From 2017 to 2024, he presented Metamorphosis in Forte dei Marmi and returned to shows in Florence and Rome; projects on Clerici (GNAM) and the Fini–Clerici dialogue (Mart) cemented his profile as both artist and interpreter of Clerici and Fini’s legacy. In 2024, he presented a project on Federigo Tozzi in Siena.
The most recent phase moves towards a visionary figuration: the figure remains central but undergoes transformation, retaining the hallmarks of the Profiles of Knights—sharp profiles, hieratic postures, plastic tension—which now shift into hybrid bodies. The subjects take on humanoid features, dressed in fashionable attire; they have glass eyes and an aura of apparition. They are surrounded by environments built like sets: pink stands, lacquer-red stairs and walls, golden inserts—a scenographic vocabulary that establishes distance and artifice. This “metaphysical divertissement” is updated with the paraphernalia of the present: swimming pools, outdoor furnishings, sports equipment, and everyday objects that shift the imagery from elsewhere into contemporary daily life. Sunlit bodies, exposed musculature, and references to fashion photography enter the scene as visual devices: glamour and artifice are not mere decoration, but critical tools to question desire, the representation of identity, and the commodification of the body. The result is a painting that is technically classical yet iconographically contemporary.
Eros Renzetti (Roma, 1965) scopre presto il disegno e si forma all’Istituto Statale d’Arte di Roma, dove progetta gioielli. Dal 1979 entra nell’orbita di Fabrizio Clerici, di cui diventa assistente, e conosce Leonor Fini: due incontri decisivi per la sua idea di pittura. Dopo l’Accademia di Belle Arti (scenografia, 1986–90) espone con continuità: dalla personale alla Galleria Ca’ d’Oro alla VI Biennale del Cairo, fino alla personale al JFK di New York. Nei primi Duemila matura i cicli visionari dei “cavalieri” e pubblica la prima monografia; seguono progetti su Cocteau e de Chirico, la partecipazione al Padiglione Italia della Biennale di Venezia (2011) e una monografia per Damiani. Tra il 2012 e il 2016 alterna personali e collettive (Lucha Libre, La rètina lucente), lavorando anche a maschere e costumi. Dal 2017 al 2024 presenta Metamorphosis a Forte dei Marmi e torna in rassegne a Firenze e Roma; i progetti su Clerici (GNAM) e sul dialogo Fini–Clerici (Mart) ne consolidano il profilo di artista e interprete dell’eredità di Clerici e Fini; nel 2024 è a Siena con un progetto su Federigo Tozzi.
La fase più recente approda a una figurazione visionaria: la figura resta centrale ma si trasforma, conservando gli stilemi dei Profili di cavalieri — profili netti, posture ieratiche, tensione plastica — che ora slittano in corpi ibridi. I soggetti assumono sembianze umanoidi, vestiti secondo la moda; hanno occhi in vetro e un’aura di apparizione. Li circondano ambienti costruiti come set: spalti rosa, scale e pareti rosso lacca, inserti dorati, un lessico scenografico che stabilisce distanza e artificio. Questo “divertissement metafisico” si aggiorna con l’armamentario del presente: piscine, arredi outdoor, attrezzature sportive e oggetti d’uso che spostano l’immaginario dall’altrove alla quotidianità contemporanea. Corpi al sole, muscolature esposte, citazioni dalla fotografia di moda entrano in campo come dispositivi visuali: glamour e artificio non sono decorazione, ma strumenti critici per interrogare il desiderio, la rappresentazione dell’identità e la mercificazione del corpo. Ne risulta una pittura tecnicamente classica e iconograficamente attuale.
Solo Exhibitions
2017
Eros Renzetti Metamorphosis, Forte dei Marmi, Art Dynasty Gallery, August 4–15, 2017.
2015
Story of a year: Eros Renzetti. United artists in an unusual place, edited by V. Mazzarella and P. Bielli, Rome, Church of Saint Lucia del Gonfalone, May 10-23, 2015.
2012
Eros Renzetti Lucha Libre, curated by V. Mazzarella, Rome, Palazzetto Art Gallery, May 9–June 12, 2012.
2011–2012
Eros Renzetti. Poker Faces, Rome, Billions, December 10, 2011–January 10, 2012.
2010
From Father to Son, curated by V. Mazzarella, Rome, Galleria Monserrato Arte ‘900, October 21–November 12, 2010.
2009–2010
Giovanni Cozzi Eros Renzetti Preview, Rome, Silber Gallery, December 12, 2009–February 12, 2010.
2005–2006
Eros Renzetti, New York (U.S.A.), J.F. Kennedy Airport, December 2005–May 2006.
1999
Giancarlo Renzetti, New York (U.S.A.), J.F. Kennedy Airport, June–July 1999.
1996
Body to Body. Three Ways of Looking at the Body. A.R.G.A.M. 1996 (Roman Spring 1996 – Art in Europe), curated by C. Siniscalco, Rome, Studio S-Arte Contemporanea, April 15–May 11, 1996.
1995
Giancarlo Renzetti. Paintings and Drawings, Rome, Galleria Ca’ d’Oro, June 26–July 26, 1995.
Group Exhibitions
2024
ANIMALS 2024: Lions Club Siena and Artists for a Caring City, Siena, Olmastroni Gallery – Palazzo Patrizi, May 4 – June 2, 2024.
2023
Leonor Fini Fabrizio Clerici Insomnia, curated by Denis Isaia and Giulia Tulino, Rovereto, Mart, July 16 – November 5, 2023.
2022
Fabrizio Clerici. The Atlas of Wonder, curated by Giulia Tulino, Rome, National Gallery of Modern and Contemporary Art, June 28 – October 2, 2022.
2021–2022
Paper-Colored Beasts. Animals in the Prose of Federigo Tozzi, curated by Fabio Mazzieri, Siena, Santa Maria della Scala, Biblioteca e Fototeca Giuliano Briganti, December 13, 2021 – July 20, 2022.
2021
Painters in Siena for Dante. The Artists of the Palio for Dante Alighieri, Siena, Courtyard of the Palazzo del Rettorato, September 11 – October 30, 2021.
Caravaggio Pasolini and Others, curated by Vittorio Sgarbi, Castellabate, Castello dell’Abate, September 4 – October 31, 2021.
E come Enzo, curated by Paolo Cortese and Francesco Petillo, Rome, Lettera_E, March 4–21, 2021.
2019
Stars from Street Art to Space Art, curated by S. Capodimonti, Rome, Palazzo Velli Expo, September 28 – October 5, 2019.
XX – The Female Gender in 20th Century Italian Art, curated by M. Cardarelli, Florence, Galleria Marletta, September 16 – October 2, 2019.
Muses at the Castle. Contemporary Art Exhibition, curated by R. Marino and M. Pietradura, Deliceto (FG), Norman-Swabian Castle, August 5–31, 2019.
March 4, 1957 San Casimiro. Contemporary Art Exhibition in Memory of Vincenzo Mazzarella, curated by Rocco Marino, Deliceto, Norman-Swabian Castle, March 16–26, 2019.
2018
The Rainbow Cities. Contemporary Art Exhibition, curated by R. Marino, M. Pietradura, with V. Luxuria, Foggia, Centro Calebasse, February 20–27, 2018.
2017
Busy Life. Letizia Dei. Scenic Action for Seventeen Artists, Rome, Monserrato Arte ‘900, December 8, 2017.
Stellatico, Rome, Arte e Pensieri Gallery, December 6, 2017.
Antonio Lucci. Franciscan Illuminist, curated by R. Marino and M. Pietradura, Foggia, Aula Magna of the Faculty of Economics, University of Foggia, November 6, 2017.
Antonio Lucci. Franciscan Illuminist, curated by R. Marino and M. Pietradura, Sant’Agata di Puglia (Foggia), Castle, August 19–27, 2017.
Muses at the Castle, curated by R. Marino and M. Pietradura, Deliceto (FG), Norman-Swabian Castle, August 2–20, 2017.
Rosa, Rome, Monserrato Arte ‘900, June 29, 2017.
Antonio Lucci. Franciscan Illuminist, curated by R. Marino, Bovino (Foggia), Keep of the Ducal Castle, June 17–30, 2017.
Monster, curated by R. Marino and F. Milani, Rome, Bat-Gallery/Studio Milani, May 22–30, 2017.
Tiny Biennale. Yellow/Giallo. A Miniature Art Exhibition, curated by S. Moore, Rome, Gallery of Art, Temple University, March 21, 2017.
Break Ranks, curated by S. Polo, Rome, former Sandro Chia Studio, February 25, 2017.
2016–2017
The Sacred Tale of Christmas, curated by R. Marino and V. Mazzarella, Deliceto, Church of Sant’Antonio, December 8, 2016 – January 8, 2017.
“Adda venì Barbone!”, Rome, Arte e Pensieri Gallery, December 3, 2016 – January 7, 2017.
2016
Christ and the Cross. In the Name of Mercy and the Beauty of Art, curated by C. Siniscalco, Rome, Studio S-Arte Contemporanea, November 30 – December 30, 2016.
The Beast and the Beauty. From the Violence of War to the Beauty of Art (Second Round), curated by C. Siniscalco, Rome, Studio S-Arte Contemporanea, October 19 – November 10, 2016.
The Beast and the Beauty. From the Violence of War to the Beauty of Art (First Round), curated by C. Siniscalco, Rome, Studio S-Arte Contemporanea, September 20 – October 7, 2016.
Artistiamoci. Artists for Emmaus, Zagarolo, Palazzo Rospigliosi, November 27 – December 4, 2016.
The Great Bazaar of the Dead and the Living, curated by V. Mazzarella and R. Giulieni, Rome, Monserrato Arte ‘900, November 4 – December 5, 2016.
ArtePorto. Contemporary Art Meets Portus, curated by S. Polo and S. Calvarese, Fiumicino (Rome), Archaeological Park of the Imperial Ports of Claudius and Trajan, October 1–16, 2016.
From the Fragments of the Sacred to the Recomposition of the Myth, curated by R. Marino, Bovino, “F. Rossomandi” Cultural Club and “C. G. Nicastro” Civic Museum, July 31 – August 15, 2016.
1846–2016 Burning Spirits between Art & Photography, curated by M. Zattini, Cesena, Municipal Art Gallery, July 16 – September 25, 2016.
Archaeologies to Come. Metamorphoses of the Ancient and the Classical in Italian Contemporary Art, curated by S. Pegoraro, Vasto, Stables of Palazzo Aragona, July 9 – October 23, 2016.
ACcordaMenti Act V: Arachne and Other Metamorphoses, curated by R. Giulieni, Rome, Varco, June 12–16, 2016.
Nine are the Columns, Two the Stars, curated by BQB and V. Mazzarella, Rome, Baronato Quattro Bellezze, March 4 – May 4, 2016.
2015–2016
Jubilee. Pope Bergoglio from Jesuit to Franciscan, Rome, Galleria Minima Contemporanea, December 12, 2015 – January 30, 2016.
Seven Works for Mercy, Rome, Monserrato Arte ‘900, December 8, 2015 – January 10, 2016.
Gold, Incense, and Miter, Rome, Arte e Pensieri Gallery, December 5, 2015 – January 9, 2016.
2015
Expo Italian Art, curated by V. Sgarbi, Varedo (MB), Villa Bagatti Valsecchi, June 19 – October 31, 2015.
Visions of Saints and Mystical Love, curated by V. Mazzarella and R. Marino, Deliceto (FG), Church of Sant’Anna e Morti, October 16, 2015.
Open Entry, curated by M. Tosto, Rome, Galleria Minima Contemporanea, November 14 – December 5, 2015.
Pier Paolo Pasolini. From Exhibition Space to Expressive Space, Ostia (Rome), Teatro del Lido di Ostia, October 21 – November 30, 2015.
Without a Net, curated by M. Tosto, Rome, Galleria Minima Contemporanea, July 10 – September 5, 2015.
Pier Paolo Pasolini. From Exhibition Space to Expressive Space, Rome, Galleria Minima Contemporanea, May 8 – June 27, 2015.
Tu quoque. Artists for the Assassination of Caesar, Rome, Palazzetto Art Gallery, March 15 – April 15, 2015.
Art for Porn, curated by Le ragazze del porno, Milan, Galleria Le Dictateur, March 27–29, 2015.
2014
Love Letter, curated by V. Mazzarella, Rome, Monserrato Arte ‘900, June 12 – July 12, 2014.
Art for Porn, Rome, Studio Marco Delogu, March 29–30, 2014.
Unifotunart, curated by A. Ozzella, Benevento, Giustino Fortunato University, April 24 – May 28, 2014.
2013
The Next Could Be You, curated by V. Mazzarella, Rome, Monserrato Arte ‘900, December 8–30, 2013.
Invitation to Palazzetto No. 4, Rome, Palazzetto Art Gallery, May 21 – July 31, 2013.
Invitation to Palazzetto No. 3, Rome, Palazzetto Art Gallery, March 4–19, 2013.
The Failed Gallerist Rides a Galaxy or Hides Inside the Relics of Saint Benedict Joseph Labre, curated by V. Mazzarella, Monserrato Arte ‘900, March 4–29, 2013.
Argamarte at the Crocetti Museum, curated by C. Siniscalco, Venanzo Crocetti Museum, April 19 – May 6, 2013.
2012–2013
From La Dolce Vita to La Vie en Rose, curated by C. Siniscalco, Studio S-Arte Contemporanea, December 3, 2012 – January 5, 2013.
2012
Invitation to Palazzetto No. 2, Rome, Palazzetto Art Gallery, October 17 – November 7, 2012.
Rosa Rosae Rosae Rosam …The Decline of the Rose, curated by C. Siniscalco, Rome, Studio S-Arte Contemporanea, October 5–31, 2012.
Invitation to Palazzetto No. 1, Rome, Palazzetto Art Gallery, March 14–21, 2012.
A Glance on the Day of the Immaculate Conception, curated by V. Mazzarella, Rome, Monserrato Arte ‘900, December 8–23, 2012.
Saint John the Almsgiver, curated by V. Mazzarella, Rome, Monserrato Arte ‘900, October 27 – November 15, 2012.
Dedicated to Ivan, curated by V. Mazzarella, Rome, Monserrato Arte ‘900, March 4–28, 2012.
The Shining Retina, curated by L. Canova, Termoli, Civic Gallery of Contemporary Art, July 22 – September 16, 2012.
Giffoni Film Festival, Giffoni Experience 2012, Happy Art, curated by S. Colantuoni, Giffoni Valle Piana (Salerno), Monumental Complex of San Francesco, July 15–24, 2012.
2011–2012
The Sign of Italy, curated by V. Mazzarella, Palazzetto Art Gallery, December 8, 2011 – January 8, 2012.
2011
The Only Virginity is in the Gaze, curated by V. Mazzarella, Rome, Monserrato Arte ‘900, December 8–11, 2011.
Rediscovered Masterpieces. And the Artists at the Venice Biennale of the Monserrato Arte ‘900 Gallery, curated by V. Mazzarella, Rome, Monserrato Arte ‘900, July 14–31, 2011.
54th International Art Exhibition – La Biennale di Venezia, curated by V. Sgarbi, Venice, Arsenale, Italian Pavilion, Giardini–Arsenale, June 4 – November 27, 2011.
Beyond the Darkness, curated by B. Palma, A. Pepe, and V. Mazzarella, Rome, Minima, June 15 – July 12, 2011.
Italy is a Dreamed Color, curated by R. Giulieni and V. Mazzarella, Rome, Monserrato Arte ‘900, March 17 – April 8, 2011.
Hide the Stone so Cain Won’t Find It, Lecco, Torre Viscontea, February 13 – March 6, 2011.
Fifteen Artists in Memory of the Shoah, curated by C. Siniscalco, Tel Aviv, Old Jaffa Museum, February 1–28, 2011.
Before Lent. Men, Saints, Gods, Clowns, and Confetti, curated by V. Mazzarella and R. Giulieni, Rome, Monserrato Arte ‘900, January 28 – February 25, 2011.
2010–2011
On the Day of the Immaculate Conception We Give You Beauty in the Perversion of Form, curated by P. Bielli, V. Mazzarella, and R. Giulieni, Rome, Monserrato Arte ‘900, December 8, 2010 – January 10, 2011.
2010
Wall Against Wall, Without Mercy, curated by C. Siniscalco, Padula (SA), Certosa di San Lorenzo, Ancient Apothecary, April 22 – May 9, 2010.
Homage to de Chirico, curated by A. and G. Porcella, Los Angeles, Sculpture Foundation at Bergamot Station, Santa Monica, April 2010.
Wall Against Wall, curated by C. Siniscalco, Salerno, Punto Einaudi, February 27 – March 20, 2010.
Homage to de Chirico, curated by A. and G. Porcella, New York, New York University, February 15 – March 15, 2010.
Homage to de Chirico, curated by A. and G. Porcella, Miami, Saint Thomas High School, January 18, 2010.
2009–2010
Author’s Works on Paper, curated by C. Siniscalco, Rome, Studio S-Arte Contemporanea, December 21, 2009 – January 18, 2010.
2009
Homage to de Chirico, curated by A. and G. Porcella, Rome, Ca’ d’Oro Gallery, November 30, 2009.
Wall Against Wall, curated by C. Siniscalco, Rome, Studio S-Arte Contemporanea, November 9 – December 5, 2009.
The Great Masters of Graphic Art. Author Graphics from the 20th Century to Today, Rome, L’Indicatore Gallery, October 10, 2009.
Masters in Graphic Art. Author Graphics from the 20th Century to Today, Rome, Silber Gallery, July 23 – September 30, 2009.
Leonor Fini – L’Italienne de Paris, curated by M. Masau Dan, Trieste, Museo Revoltella, July 4 – October 4, 2009.
Giffoni Film Festival. Artabù. Icons of Transgression, curated by S. Colantuoni, Giffoni Valle Piana (Salerno), Convent of San Francesco, July 15–25, 2009.
2008
Homage to de Chirico, curated by A. and G. Porcella, Rome, Ca’ d’Oro Gallery, November 6 – December 6, 2008.
Jean Cocteau le joli cœur. A “Fashionable” Tribute to a Seducer, curated by M. Carrera, Milan, Palazzo delle Stelline, Centre Culturel Français, October 24 – December 4, 2008.
2007
Primaverile A.R.G.A.M. 2007 – Spring Salon. Research and Praise of Form, First Edition, curated by C. Siniscalco, Rome, Venanzo Crocetti Museum, May 22 – June 22, 2007.
The Rediscovered Form. Paintings by Contemporary Artists, Rome, Galleria Il Riquadro, October 2007.
2005
Uroboros or the Eternal Return (Homage to Cocteau), curated by M. Carrera, Parma, State Archives, October 1–31, 2005.
2004
May Salon. Nature and Man, curated by C. Siniscalco, Rome, Complesso del Vittoriano, May 7–26, 2004.
Cleopatra. From Michelangelo to Contemporary Art, curated by C. Siniscalco, Baku (Azerbaijan), Shirvanshakh Museum, Throne Room, December 19–29, 2004.
2003
Cleopatra. From Michelangelo to Contemporary Art, curated by C. Siniscalco, Alexandria (Egypt), Alexandria Center of Art, April 2003.
Cleopatra. From Michelangelo to Contemporary Art, curated by C. Siniscalco, Cairo (Egypt), Akhnatoon Center of Arts – Zamalek, June 2003.
Giffoni Film Festival. A World of Images for Those Who Imagine the World. Artistic Interpretations of the Youth Universe, curated by M. Duranti, Giffoni Valle Piana (Salerno), Convent of San Francesco, July 19–28, 2003.
New Surrealism, Visionary and Fantastic, Rapolano Terme (Siena), Antica Grancia, July 2003.
2002
Cleopatra, curated by C. Siniscalco, Rome, Egyptian Academy, May 16 – June 16, 2002.
Cleopatra, curated by C. Siniscalco, Rome, Studio S-Arte Contemporanea, June 19 – July 25, 2002.
1999–2000
What a (Beautiful) Figure!, curated by C. Siniscalco, Rome, Studio S-Arte Contemporanea, November 20, 1999 – January 21, 2000.
1999
Artists for the 705th Celestinian Forgiveness, L’Aquila, Spanish Fortress, August 14 – September 26, 1999.
1998–1999
Thirty Artists for Umbria Jazz Winter, Orvieto, Palazzo del Popolo, December 28, 1998 – January 10, 1999.
1998
Twenty-Four Artists for Umbria Jazz, Perugia, Rocca Paolina, July 10–19, 1998.
1997–1998
50 in Black and White, curated by C. Siniscalco, Rome, Studio S-Arte Contemporanea, November 25, 1997 – January 5, 1998.
1997
Selections, A.R.G.A.M. 1997, curated by C. Siniscalco, Rome, Academy of Arts and New Technologies, June 10 – July 20, 1997.
Art Convention Italia (Altamarea), L’Indicatore Gallery, 1997.
1996–1997
6th International Cairo Biennale. Italian Pavilion, curated by C. Siniscalco, Cairo (Egypt), The National Centre of Fine Arts, December 1996 – February 1997.
1996
Autumn Festival 1996 (Argamarte On Stage and Off Stage), curated by C. Siniscalco, Rome, Academy of Arts and New Technologies, October 25 – November 25, 1996.
The Other Art?, curated by M. Smolizza, Rome, Palazzo Barberini, October 26 – November 7, 1996.
1995
Journey through the Italy of Art, curated by A. Cilento, Naples, Ente Autonomo Mostra d’Oltremare – Mediterranean Gallery, travelling through various Italian cities, July 10–20, 1995.
1994
Art in Comparison, Cesenatico (FO), Il Quadrato Art Gallery, December 10–24, 1994.
Remembering Fabrizio Clerici, curated by F. Zeri, Rome, National Academy of San Luca, June 10–30, 1994.
Publications
Catalogues
2005
Eros Renzetti, The Stratagems of Venus, introduction by N. Campanella (documentation by M. Mestichella), EFFE Fabrizio Fabbri Editore, Città di Castello, Perugia 2005.
2012
Eros Renzetti Lucha Libre, curated by V. Mazzarella, texts by I. Millesimi, C. Premuda, A. Gualino, Palazzetto Art Gallery, Rome 2012.
Monographs
2011
Eros Renzetti. It happened to me, one day, presentation by V. Mazzarella, Damiani, Bologna 2011.
Artist’s Books
2005
Eros Renzetti, The Stratagems of Venus, introduction by N. Campanella (documentation by M. Mestichella), EFFE Fabrizio Fabbri Editore, Città di Castello, Perugia 2005.
This monograph on Eros Renzetti, was produced as a special edition, and contains an original lithograph by the artist Apollo Musagete printed at “Il feltro” Guidonia Montecelio Rome in 100 issues of which 70 with Arabic numbers and 30 with Roman numerals.
2011
Eros Renzetti “12 x 12”. A Portfolio with 12 Serigraphs, Alberto Ruffo Edizioni, Rome 2011.
2012
Eros Renzetti Lucha Libre, curated by V. Mazzarella, texts by I. Millesimi, C. Premuda, A. Gualino, Palazzetto Art Gallery, Rome, 2012.
This catalog of Eros Renzetti It has been printed on behalf of Palazzetto Art Gallery on the occasion of exhibition Eros Renzetti Lucha Libre staged at Palazzetto Art Gallery-Rome May 9 12 June 2012. The first 40 copies in slipcase contain a Giclée on paper Hahnemühle Fine Art, 23.5 x 16 cm signed and numbered by the artist titled Mr. Napor, 2012. Specimen is not to in a case, and without printing.
Magazine
2016
“The Friday Project” N. 7, 2016.
“l’Attacco”, anno 29 n. 147, 28 luglio 2016.
“Pride”, 199, giugno 2016.
2015
“International Urbis et Artis”, maggio-giugno 2015.
“Arte e Critica City”, giugno-agosto, 2015.
2012
“Il Giornale dell’Arte”, giugno, n. 39, 2012.
“Il Giornale dell’Arte”, febbraio, n. 28, 2012.
2009
“La Voce in più – Cultura”, supplemento di “La Voce del Popolo”, Fiume (Croazia), 18 luglio 2009.
2006
«graphie» VIII, 2 giugno, 2006.
“Ulisse”, 257, gennaio 2006.
“Arte”, 392, aprile 2006.
“Arte”, 393, maggio 2006.
2003
“Ulisse”, anno XXIII, n. 232, luglio 2003.
“Forum”, anno III, n. 5-6-7, giugno, luglio, agosto 2003.
2000
“Arte In”, n. 67, giugno, luglio 2000.
“Cronache AZ”, n. 677, 29 febbraio 2000.
Il “pianeta aviazione” nelle schede di Air press, Roma, Editoriale Aeronautica, 2000.
“Chi”, n. 29, 19 luglio 2000.
“Modus vivendi”, n. 25, agosto, settembre 2000.
“Il Giornale dell’Arte”, n. 196, febbraio 2000.
1999
“Arte”, n. 311, luglio 1999.
“Arte”, n. 312, agosto 1999.
“Ulisse 2000”, n. 184, luglio 1999.
“Arte In”, n. 61, giugno, luglio 1999.
1998
“Arrivederci”, n. 100, giugno1998.
“Arrivederci”, n. 106, dicembre 1998.
“Freccia Alata News”, n. 4. 1998.
“Quadri & Sculture”, n. 31, giugno, luglio 1998.
“Arte”, n. 299, luglio 1998.
1997
“Quadri & Sculture”, n. 25, aprile, maggio; n. 26, giugno, luglio 1997.
1996
“The Best”, n. 44 1996.
“Psicoanalisi Contro”, anno 13, n. 9, 1996.
“Cahiers d’art”, n. 16, 1996.
“Terzoocchio”, n. 81, dicembre 1996.
Quadri & Sculture, Roma 1996.
Galleria Italia, supplement to “Quadri & Sculture”, 1996.
“Quadri & Sculture”, n. 18, February, March, 1996.
“Arte”, no. 273, May, 1996.
“Arte”, no. 274, June, 1996.
1995
“Artel”, n. 27, luglio 1995.
“Roma c’è”, 29 giugno, 5 luglio 1995.
“Il Giornale dell’Arte”, n. 134, giugno 1995.
“Quadri & Sculture”, n. 12, gennaio, febbraio; n. 14, maggio, giugno e supplemento; n. 15, luglio, agosto; n. 16, ottobre, novembre 1995.
1994
“Quadri & Sculture”, n. 7, supplemento 1994.
“Quadri & Sculture”, n. 9 1994.
“Quadri & Sculture”, n. 9, supplemento 1994.
Yearbooks of Modern and Contemporary Art
– Catalogo dell’Arte Moderna Italiana, no. 31, 1995; no. 32, 1996; no. 33, 1997; no. 34, 1998 Editoriale Giorgio Mondadori, Milan.
– “Art Diary-Italia”, Flash Art, Milan 1996.
– Top Arts. Catalogo Nazionale dell’Arte Contemporanea, Rossano Massaccesi Editore, Osimo, 1997.
– Annuario d’Arte Moderna-Artisti Contemporanei 1999, 2000, 2001, 2002, 2003, Editrice A.C.C.A. in… Arte, Rome.
– Comanducci. Dizionario Universale.
– “Art Diary International”, Flash Art, Milan, 2008-2009.
Bibliography
2023
Vittorio Sgarbi, L’Ultimo sogno, in Leonor Fini Fabrizio Clerici Insomnia, catalogo della mostra, (Rovereto, Mart, 16 luglio – 5 novembre 2023), L’Erma di Bretschneider, Roma 2023, p. 16.
Giulia Tulino, La Sfinge e il Re Luna, in Leonor Fini Fabrizio Clerici Insomnia, catalogo della mostra, (Rovereto, Mart, 16 luglio – 5 novembre 2023), L’Erma di Bretschneider, Roma 2023, p. 24.
Denis Isaia, Fabrizio Clerici e Leonor Fini: oltre il mito, la vita. Intervista a Eros Renzetti, in Leonor Fini Fabrizio Clerici Insomnia, catalogo della mostra, (Rovereto, Mart, 16 luglio – 5 novembre 2023), L’Erma di Bretschneider, Roma 2023, pp. 27, 37.
